One of the great things about Like Someone in Love is how it demonstrates the strength of this kind of ambiguous, minimalist filmmaking: within its naturalistic treatment of its subjects, it creates huge fertile spaces for the proliferation of symbolic meanings and psychological resonance. It’s shot painstakingly, with the camera always intensely aware of its space. Doorways, reflections, confined interiors, obstructions, and the space outside the frame: all these become Kiarostami’s playthings. In his control of objects and the camera’s eye, he is reminiscent of Stanley Kubrick, whose style was similarly deliberate, ostensibly naturalistic, but profoundly self-aware.
Saturday, June 08, 2013
My Capsule Review of Like Someone in Love
Back in March, I did a capsule for Abbas Kiarostami's Like Someone in Love for 366 Weird Movies. If you're curious about the film, feel free to go check it out. A selection: